{"id":65,"date":"2021-05-02T18:14:26","date_gmt":"2021-05-02T16:14:26","guid":{"rendered":"http:\/\/www.cedricbernadotte.com\/?page_id=65"},"modified":"2024-08-19T13:35:21","modified_gmt":"2024-08-19T11:35:21","slug":"bio","status":"publish","type":"page","link":"https:\/\/www.cedricbernadotte.com\/index.php\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><strong>C\u00e9dric Bernadotte, n\u00e9 le 9 f\u00e9vrier 1978 \u00e0 Bourges, est un artiste contemporain fran\u00e7ais<\/strong>.<\/p>\n\n\n\n<p>Il intervient depuis 1999 dans l&rsquo;espace public afin de questionner des limites entre espace public et espace priv\u00e9, ainsi que la disposition du mobilier urbain et notre pr\u00e9sence \u00e0 la ville.<\/p>\n\n\n\n<p>Il redonne ainsi des fonctions \u00e0 des espaces inusit\u00e9s en cr\u00e9ant des formes qui se greffent sur le mobilier pr\u00e9existant afin de permettre aux passants de prendre le temps de se poser, regarder, aux enfants de jouer, puis de repartir. Il propose \u00e0 chaque intervention des modes d&#8217;emploi pour r\u00e9aliser soi-m\u00eame ces interventions devant son immeuble, dans son quartier. Dans la lign\u00e9e du \u00ab&nbsp;do it yourself&nbsp;\u00bb , il fournit de nouvelles techniques de r\u00e9-appropriation d&rsquo;espace en toute l\u00e9galit\u00e9.<\/p>\n\n\n\n<p>Influenc\u00e9 par la pratique du skateboard et du graffiti, les travaux des situationnistes et du collectif Stalker, il propose depuis 2001 du mobilier \u00e9ph\u00e9m\u00e8re dans des espaces r\u00e9siduels de la ville avec des mat\u00e9riaux \u00e9conomiques.<\/p>\n\n\n\n<p>Ses structures gonflables, ultra l\u00e9g\u00e8res confectionn\u00e9es \u00e0 partir de b\u00e2che de protection, \u00ab&nbsp;pour peintre&nbsp;\u00bb, manifestent son d\u00e9sir de concevoir la rue autrement. Il a r\u00e9alis\u00e9 entre 1999 et 2005, de nombreux moulages d&rsquo;espace, gonfl\u00e9 \u00e0 l\u2019aide de panneau solaire ou de simple ventilateur branch\u00e9 chez un commer\u00e7ant.<\/p>\n\n\n\n<p>La s\u00e9rie de photos <em>Une ville sans \u00e9critures<\/em>, ou encore ses collaborations avec l&rsquo;Osservatorio Nomade de Marseille montrent son int\u00e9r\u00eat pour le mobilier urbain contextuel. Il montre que le citoyen a un r\u00f4le tr\u00e8s important \u00e0 jouer dans le d\u00e9veloppement et la construction de son environnement.<\/p>\n\n\n\n<p>Depuis 2012, il intervient dans le cadre de CUCS (Coh\u00e9sion urbaine et coh\u00e9sion sociale) dans certaines villes de la r\u00e9gion PACA et travaille avec des structures \u00e9ducatives sur des projets d\u2019int\u00e9r\u00eats publiques comme des fresques collaborative et la cr\u00e9ation de mobilier urbain.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"has-inline-color has-luminous-vivid-orange-color\">R\u00e9f\u00e9rences biographiques<\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">1999-2021: <\/span><strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Artiste<\/span><\/strong><\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2017-2021<\/span>: <strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Enseignant<\/span><\/strong> contractuel de l\u2019\u00e9ducation nationale<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\"><\/span><\/strong><br><\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2003-2016<\/span>: <span class=\"has-inline-color has-luminous-vivid-amber-color\">Salari\u00e9 du <a href=\"https:\/\/web.archive.org\/web\/20200920130507\/http:\/\/www.creahm.be\/fr\/programmation-6&amp;actualite_40.html#.VpVF6VJuRvA\">CREAHM<\/a> Provence , <a href=\"https:\/\/web.archive.org\/web\/20200920130507\/http:\/\/www.blachere-illumination.com\/\">Blach\u00e8re illuminations<\/a>, <a href=\"https:\/\/web.archive.org\/web\/20200920130507\/http:\/\/www.corys.com\/fr\/\">Corys Tess<\/a> ,de<a href=\"https:\/\/web.archive.org\/web\/20200920130507\/http:\/\/www.aveclagare.org\/\"> la Gare de Coustellet<\/a> et de l\u2019<a href=\"https:\/\/web.archive.org\/web\/20200920130507\/http:\/\/www.advsea84.fr\/accueil.html\">ADVSEA<\/a><\/span><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2001-2003<\/span> : \u00c9tudiant aux <span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Beaux-Arts d\u2019Aix-en-Provence<\/strong><\/span>. Utilisation du cellophane dans les interventions.<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">1999-2001 <\/span>: \u00c9tudiant aux <span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Beaux-Arts de Toulon<\/strong><\/span>. Interventions dans l\u2019espace public avec des structures gonflables.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">&nbsp;<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"has-inline-color has-luminous-vivid-orange-color\">Expositions<\/span><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2000<\/span> : \u00ab<strong>\u00a0<span class=\"has-inline-color has-luminous-vivid-amber-color\">ROBO <\/span><\/strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">\u00e0 la Fondation Vasarely<\/span><span class=\"has-inline-color has-black-color\"> <\/span><span class=\"has-inline-color has-cyan-bluish-gray-color\">\u00e0 Aix -en-Provence<\/span><\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2000<\/span> : \u00ab\u00a0<span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Fontena da vivere<\/strong>\u00a0\u00bb \u00e0 la fondation Peano <\/span>\u00e0 Cuneo (Italie)<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2001<\/span>\u00a0: \u00ab\u00a0<span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Fragments<\/strong>\u00a0\u00bb et performance \u00e0 G\u00eanes<\/span> (Italie)<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2002<\/span>\u00a0: \u00ab\u00a0<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Machines \u00e0 visions<\/span><\/strong>\u00a0\u00bb \u00e0 La Garde (83)<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2004<\/span>\u00a0: \u00ab\u00a0<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Arts des lieux<\/span>\u00a0<\/strong>\u00bb avec Ar\u00e8nes \u00e0 Marseille en juin<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2006<\/span>\u00a0: \u00ab\u00a0<span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>R\u00e9appropriations<\/strong><\/span>\u00a0\u00bb et carte blanche \u00e0 l\u2019Akwaba, Ch\u00e2teauneuf-de-Gadagne<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2008<\/span>\u00a0: \u00ab\u00a0<span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Norapolis 6<\/strong>\u00a0<\/span>\u00bb \u00e0 Metz, en avril Galerie des Trinitaires<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2009<\/span>\u00a0: \u00ab\u00a0<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Reconversion<\/span>\u00a0<\/strong>\u00bb \u00e0 Pau avec AERA, en novembre<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2009<\/span>\u00a0: \u00ab\u00a0Valise Multiplex\u00a0\u00bb \u00e0 l\u2019Urban Lab \u00e0 Barcelone (Espagne)<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2013<\/span>\u00a0: \u00ab\u00a0<span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>R\u00e9sidences aux Bains Douches<\/strong>\u00a0<\/span>\u00bb \u00e0 Paris \u2013  Magda Danysz<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2013<\/span>\u00a0: \u00ab\u00a0<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Residual Spaces\u00a0<\/span><\/strong>\u00bb, Salone del Mobile de Milan (IT) avec la Maison Martin Margiela<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2013<\/span>\u00a0: \u00ab\u00a0<span class=\"has-inline-color has-luminous-vivid-amber-color\">R<strong>\u00e9appropriations<\/strong><\/span>\u00a0\u00bb, installations et ateliers \u2013 Galerie Juxtapoz \u00e0 Marseille<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2014<\/span>\u00a0: \u00ab<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">La Nuit Blanche<\/span>\u00a0\u00bb \u00e0 Paris<\/strong>, le 4 octobre \u2013 Design mobilier pour le GRA<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2014\u00a0<\/span>: \u00ab<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">R\u00e9sidence au M\u00e9taxu<\/span><\/strong>\u00a0\u00bb \u00e0 Toulon, \u2013 installations en Centre Ville<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2015<\/span>\u00a0: Exposition de peintures \u00ab\u00a0Abstract Mistral\u00a0\u00bb \u00e0 la Galerie le Rex \u00e0 St-Remy-de-Provence<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2016<\/span> : <strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Galerie Chapo<\/span> \u00e0 Gordes<\/strong> &#8211; Art contemporain et street art<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2017<\/span>: <span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Mas Bigot \u00e0 St Remy <\/strong>&#8211; Gerard Faivre<\/span> \u00ab\u00a0Athome\u00a0\u00bb<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2018<\/span>: <strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Dijon &#8211; Les Tanneries<\/span><\/strong>. Fresque collective <\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2019<\/span>: <span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Dijon &#8211; Les Tanneries.<\/strong><\/span> Fresque collective<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2020<\/span>: <span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Vaison la Romaine &#8211; <\/strong><\/span> Fresque et exposition collective<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2021<\/span>: <span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Le Thor &#8211; Le Sonograf .<\/strong><\/span> Fresque collective<\/li>\n\n\n\n<li><span class=\"has-inline-color has-luminous-vivid-orange-color\">2024<\/span>: <span class=\"has-inline-color has-luminous-vivid-amber-color\"><strong>Coustellet &#8211; Lub&rsquo;art.<\/strong><\/span> Fresque et exposition collective<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><span class=\"has-inline-color has-luminous-vivid-orange-color\">Bibliographie<\/span><\/h3>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"855\" height=\"244\" src=\"http:\/\/www.cedricbernadotte.com\/wp-content\/uploads\/2021\/05\/publi.jpg\" alt=\"\" class=\"wp-image-157\" srcset=\"https:\/\/www.cedricbernadotte.com\/wp-content\/uploads\/2021\/05\/publi.jpg 855w, https:\/\/www.cedricbernadotte.com\/wp-content\/uploads\/2021\/05\/publi-300x86.jpg 300w, https:\/\/www.cedricbernadotte.com\/wp-content\/uploads\/2021\/05\/publi-768x219.jpg 768w\" sizes=\"auto, (max-width: 855px) 100vw, 855px\" \/><\/figure>\n<\/div><\/div><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>\u201c<span class=\"has-inline-color has-luminous-vivid-amber-color\">Die Kunst liegt auf der Stra\u00dfe<\/span>\u201d<\/strong> Urban Art K\u00fcnstler und Werke. AAP Lehrerfachverlage Editions Juin 2015<\/li>\n\n\n\n<li>\u00ab\u00a0<strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Highlike\u00a0<\/span><\/strong>\u00bb Editions SESI-SP \/\/ ISBN: 978-85-8205-297-6 \/ 2014<\/li>\n\n\n\n<li><strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Les Bains, R\u00e9sidence d\u2019artistes<\/span><\/strong>,\u00a0photos : \u00a9 St\u00e9phane Bisseuil et J\u00e9r\u00f4me Coton 192 pages, \u00e9ditions Drago, Avril 2013<\/li>\n\n\n\n<li><strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">100 artistes du street art<\/span><\/strong>, Paul Ardenne, Marie Maertens et Timoth\u00e9e Chaillou, \u00c9ditions de La Martini\u00e8re, novembre 2011,<\/li>\n\n\n\n<li><strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Artaq Bookzine<\/span><\/strong> 2011 par Yves Suty, mai 2011<\/li>\n\n\n\n<li><strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Art of Rebellion 3<\/span><\/strong>, C100, \u00c9ditions Publikat, novembre 2010,<\/li>\n\n\n\n<li><strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Gaffa Urbanisma<\/span> <\/strong>par Spacedev, novembre 2010<\/li>\n\n\n\n<li><strong><span class=\"has-inline-color has-luminous-vivid-amber-color\">Urban Interventions<\/span><\/strong> par M. Huebler \/ Editions Gestalten<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>C\u00e9dric Bernadotte, n\u00e9 le 9 f\u00e9vrier 1978 \u00e0 Bourges, est un artiste contemporain fran\u00e7ais. Il intervient depuis 1999 dans l&rsquo;espace public afin de questionner des limites entre espace public et espace priv\u00e9, ainsi que la disposition du mobilier urbain et notre pr\u00e9sence \u00e0 la ville. Il redonne ainsi des fonctions \u00e0 des espaces inusit\u00e9s en&hellip; <br \/> <a class=\"read-more\" href=\"https:\/\/www.cedricbernadotte.com\/index.php\/bio\/\">Lire la suite<\/a><\/p>\n","protected":false},"author":1,"featured_media":313,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-65","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/pages\/65","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/comments?post=65"}],"version-history":[{"count":18,"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/pages\/65\/revisions"}],"predecessor-version":[{"id":2236,"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/pages\/65\/revisions\/2236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/media\/313"}],"wp:attachment":[{"href":"https:\/\/www.cedricbernadotte.com\/index.php\/wp-json\/wp\/v2\/media?parent=65"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}